2026 Festival Programme

10:00am – 1:00pm | Poole Gateway Building, Talbot Campus

Level: Intermediate

This masterclass will cover Grooming techniques in Houdini, exploring in depth the toolset and how to use it for creating high-end characters for production. Both artistic and technical aspects will be discussed, showing how to get the best of both manual and procedural approaches. From guides combing, to clumping, parting lines and noises, all essential topics will be explored in detail. Real examples from Framestore will also be used to illustrate techniques and discuss challenges involved around it.

10:00am – 1:00pm | Poole Gateway Building, Talbot Campus

Level: Beginner

2:00pm – 5:00pm | Poole Gateway Building, Talbot Campus

Level: Intermediate

Abe is an exceptional in implementing Houdini workflows at incredible speed. His technical strength in Houdini is particularly impressive, whether he is diving into simulations, Creature FX, or complex Crowd systems. 

As an R&D technical director, his is driving technical innovation across his studio,  through Python scripting automation & researching emerging tech such as machine learning. He has a real knack for identifying friction points in a pipeline and developing robust, scalable tools to solve them.

2:00pm – 5:00pm | Poole Gateway Building, Talbot Campus

Level: Intermediate

Moeen is a technical Houdini Educator and Trainer, and Visual Effects Artist from South Africa with over 10 years of experience in CGI and VFX. Hi is the creator of “Houdini Isn’t Scary”, “Houdini is HIP,” “Solaris is Sweet”, “The Ultimate Copernicus Guide”, and many other Houdini tutorials. Co-founder of Nine Between – a visual effects studio based in Johannesburg, South Africa.

10:00am – 5:00pm | Poole Gateway Building, Talbot Campus

Level: Beginner

Phil is a technical Houdini Educator and Senior Academic at Bournemouth University.  Over the past two decades working closely with Side FX he has spearheaded Houdini Education. He is very passionate about Houdini and using procedural methods/tools in VFX practice; an excellent artist who has always been creating extreme realities with a calm, strong, plausible method.

2:00pm – 5:00pm | Poole Gateway Building, Talbot Campus

Masterclass – “Destructible Environments” for Games & the VFX pipeline at Creative Assembly.

Creative Assembly is a British video game developer based in Horsham, founded in 1987 by Tim Ansell. In its early years, the company worked on porting games to MS-DOS from Amiga and ZX Spectrum platforms, later working with Electronic Arts to produce a variety of games under the EA Sports brand. In 1999, the company had sufficient resources to attempt a new and original project, proceeding to develop the strategy computer game Shogun: Total War which was a critical and commercial hit, and is regarded as a benchmark strategy game.

7:00pm – 9:30pm | Patch, 2-12 Commercial Road, Bournemouth Square

Panel – Screening – Social 

Dario Splendido is curating a public event as part of BFX 2026 at PATCH Bournemouth titled “Real-Time Horror & The Uncanny”. The programme will feature a curated screening of short works, followed by a moderated panel discussion, Q&A followed by Drinks for BFX participants and guests. Dario is a Lecturer of animation and gaming at Bournemouth University and an Unreal Authorized Instructor at Epic Games. His core competencies lie in crafting immersive digital experiences and fostering innovative game development education.

Level: Intermediate

Peter is a a texture build technical supervisor with over 25 years in the VFX industry. He has also co-founded the Meshmen Studio which trains digital artists to use new tools and techniques. He has worked in many blockbuster films such “Fantastic Beasts and Where to Find Them”,  “Godzilla: King of the Monsters”, “The Witcher” Netflix series, and many more. 

In the Mari Texturing Masterclass “Snails from Space” Peter will guide participants to use Mari in order to texture a typical VFX type asset using production proven techniques, such as Mari Nodes, and Procedural Workflows. 

Level: Intermediate

This is a full-day masterclass, where Arran will teach you how to animate multiple actions in different styles. Be this realism, traditional cartoony and contemporary hybrid stylisation. Animating in Autodesk Maya, you will be taught the theory of each style and how they differ from each other. Guided with different workflows that help you improve your efficiency and focus on creativity. Tools such as Animbot and Studio Library will help you through these procedures. Poses will be pre-constructed ahead of the masterclass to allow time for focus on other fundamentals, such as anticipations, breakdowns, overshoots, and how they are applied in different styles. You will follow Arran and work alongside him whilst he animates live. Arran will take intervals to provide direct feedback to help you focus on areas that need improving most.

Level: Intermediate

Sian Warren is a Creature Modeler with over 8 years of experience, working for large VFX houses like ILM London, MPC Film character Lab and Trixter. She has worked on a broad range of species; alive, extinct and alien for films, advertising and tv production. To publications with The Society of Vertebrate Palaeontology; collaborating alongside Professor of Biology: Dr Stuart Sumida and The Museums of Natural History. Recent credits include: Monarch Season 2, The Dinosaurs and Mufasa: The Lion King. She is now working as a Freelance Snr Creature Artist at Taken Media Arts, Facts Dinosaurs, Exetinct and creating educational model tutorials with FXPHD and Maxon Zbrush.

Level: Intermediate

Kieran Belshaw has over 13 years of experience as a Concept Artist in the industry. Presently working on Season 2 of FX tv series Shōgun. He forged his path creating the worlds of Game of Thrones and House of the Dragon for HBO as well as several feature films including 28 Years Later, Man From Uncle and Terminator: Dark Fate. Whether it’s designing a new Iron Throne or figuring out what a cave inhabited by dragons would look like, he continues to push and develop his technique as an Artist bringing fantastical worlds to life!

Blue Zoo is an animation studio creating creating multi-Emmy and BAFTA winning content. Founded in 2000 by BU University classmates studying animation, it organically grown to become one of the UK’s leading character animation production studios. Blue Zoo aims to produce joyfully compelling stories packed and full of character by creating beautiful animation.

Since our studio was born, we’ve always experimented and explored our way to success, not just for ourselves but for our entire industry, from founding AnimationUK to helping run many progressive industry initiatives.

Furthermore, our commitment to fostering a positive working environment is unwavering. We strive to create a space filled with talented, happy artists crafting content they are genuinely proud of, routinely achieving over 95% staff and client satisfaction scores.

Jon Mason is Founder and Managing Director of Jollywise, a multi-award-winning creative studio known for building playful, audience-first experiences for kids and family brands. With over 25 years’ experience, he has worked with leading global companies including Disney, BBC, PBS, Sesame Workshop and Marvel. As creator and Executive Producer of Stan & Gran, he has led the show from initial idea through to international broadcast, shaping its tone, storytelling and world. Inspired by his own childhood and a deep love of nature, Jon’s work focuses on creating meaningful, entertaining content that sparks curiosity, encourages exploration and connects generations.

Simone Giampaolo is a London-based Swiss director known for his passion for meaningful storytelling, emotional narratives, and humorous characters. He graduated with distinction from the BA (Hons) Computer Animation Art & Design program at the National Centre for Computer Animation in Bournemouth, UK, in 2013. Throughout his career, he’s written and directed over ten multi-award-winning original short films (including the Oscar®-shortlisted and BAFTA-nominated Only a Child), while working on a multitude of commissioned projects for clients such as Netflix, Paramount, Google, Warner Bros., Cartoon Network, Disney, LEGO, Nickelodeon, Marvel, Pokémon and BBC, collaborating with world-class studios like Jellyfish Pictures, Axis Studios, Nathan Love, Blue Zoo, Red Knuckles and Aardman.

Join AWUK and a panel of industry experts as they share their lessons learned and tips to maintain confidence when navigating this ever-changing industry

“Hi, I’m Debra, VFX veteran and founder of Open Frame Coaching. My passion is for supporting creative professionals as I have been where you are! I bring 25 years visual effects industry experience to my coaching. Starting as a Runner at Cinesite, I learnt on-the-job and moved into compositing (with 25+ films/TV shows under my belt) before progressing to Global Head of Compositing at DNEG, closely overseeing delivery of 100+ projects by hundreds of artists.”

Harriet is a BAFTA nominated writer and freelance animator with over 18 years in the industry. Starting out animating film titles, she’s worked in advertising and kids tv, and now adds screenwriting to her list of credits. She is currently developing an animated series, recently optioned by Passion Pictures. Harriet is co-founder and co-host of Eat My Shorts, a short animation film night that champions independent animation and self-initiated passion projects.

Kat is a senior compositor with over ten years experience working across a wide variety of feature film and episodic productions. Kat’s day to day work varies from integrating CG creatures, creating seamless invisible vfx, through to compositing full CG environments. Kat’s recent projects include Amazon’s upcoming Jack Ryan: Ghost War, Young Sherlock, Daredevil: Born Again, Mission Impossible: Dead Reckoning and Fantastic Beasts.

Jane is a 2D and DFX Supervisor at Union Visual Effects. Jane has won the BAFTA for Best Film / Special Visual Effects for “Poor Things” along with other three memebers of  the Union Visual Effects team in 2025.

Baz is a British, working-class Director. His stop-motion films often explore socially conscious themes, captured with meticulous care to detail. In 2018, Baz co-founded independent Animation Studio ‘One6th’ alongside producer Ben Jackson. Since then, their work has earned nominations at The SHOTS Young Director of The year Awards and the British Animation Awards in addition to wins including a Kinsale Shark Award for best international animated short film. Their latest project, ‘Two Black Boys in Paradise’, is a collaboration with poet Dean Atta, which received early development support from actor, Ian McKellen, and was funded by The British Film Institute has won the BAFTA 2026 Short Animation award.

Harriet is a BAFTA nominated writer and freelance animator with over 18 years in the industry. Starting out animating film titles, she’s worked in advertising and kids tv, and now adds screenwriting to her list of credits. She is currently developing an animated series, recently optioned by Passion Pictures. Harriet is co-founder and co-host of Eat My Shorts, a short animation film night that champions independent animation and self-initiated passion projects.

Tom Box is a Co-Founder of Blue Zoo an animation studio creating creating multi-Emmy and BAFTA winning content.

© One6th, Two Black Boys in Paradise

Speed Pitching is an interactive One-2-One Animation/Film/Games – Pitch Coaching – session organised by Natalie Adams and supported by Simone Giampaolo, and Jon Mason.

One needs to apply in order to take part, to do so please fill in the Speed Pitching Application Form.

The One-2-One Speed Pitching interactive sessions will be followed by the Art of Pitching Panel.

Natalie Adams has over 25 years’ senior management experience in IP development, TV production, international distribution, financing and new business development in Kids & Family animation and live action drama. She is currently SVP Business Development for Triggerfish Animation and Executive Producer for Tiger Aspect Kids & Family, overseeing the original series Stan & Gran for Milkshake! and Nickelodeon UK. Natalie spent over seven years at Jellyfish Pictures (2018-2025), initially to oversee its newly established Original Kids’ Content Division before earning promotion to Managing Director – Animation & Originals, and latterly as Managing Director of Originals. Prior to that, she spent almost six years at Platinum Films as Head of Global Strategy. Her animation credits include DogMan (DreamWorks), Wolf King (Netflix Series), The Twits (Netflix Features), Matt Hatter Chronicles (ITV) and Everything’s Rosie (CBeebies).

Join us as we walk through the creative process of bringing KPOP into the screen.

Jacky Priddle is a Co-Producer at Sony Pictures Imageworks. She most recently worked on the Academy Award®-winning global phenomenon KPOP DEMON HUNTERS for Sony Pictures Animation and Netflix. Previously,  Jacky served as digital producer on THE SEA BEAST, VIVO, SPIDER-MAN: FAR FROM HOME, SMALLFOOT, and SPIDER-MAN: HOMECOMING, and as a co-producer on THE SPIDER WITHIN: A SPIDER-VERSE STORY (short). Prior to Imageworks, she was a television series development producer at Rovio (Angry Birds) in Espoo, Finland, and a producer at Anima Boutique Oy in Helsinki, Finland.

Jacky spent nearly 15 years at Aardman Animations, where her credits include producer on SO YOU WANT TO BE A PIRATE, production manager on Peter Lord’s PIRATES IN AN ADVENTURE WITH SCIENTISTS, marketing production manager on SHAUN THE SHEEP THE MOVIE, assistant producer on CHICKEN RUN, producer on ANGRY KID TV special (winner of the British Animation Award), producer on the ANGRY KID animated series. She also produced numerous commercials and short films.

© 2025 Netflix

Lucie was the Executive Producer for “400 Boys”, she has worked as Managing Director and Head of Games for Passion Pictures, past roles include working as Producer for Maverik Games, and the Mill. Idris was a 3D Artist for the animated short. He is passionate about 3D with experience in Short Films and Commercials.  He worked on modelling, texture and shading taking assets from concept to production.

During his 7 years at PASSION, Idris has worked across layout, modelling, texture, shading and lighting, developing a versatile skillset that allows him to seamlessly fit into any team. As a self-taught artist he isn’t afraid to bend the rules to meet the Director’s vision. Idris has worked on productions for Netflix, Riot Games, Epic Games and multiple other high profile commercial campaigns.

Pinpoint FX, and VeloraVFX are companies set up by recent BU-NCCA alumni, they talk about their experiences getting through the first year as a commercial company.

It follows the One-2-One Animation/Film/Games interactive Speed Pitching Coaching event, with the panellists providing advice on best practice. 

Natalie Adams has over 25 years’ senior management experience in IP development, TV production, international distribution, financing and new business development in Kids & Family animation and live action drama. She is currently SVP Business Development for Triggerfish Animation and Executive Producer for Tiger Aspect Kids & Family, overseeing the original series Stan & Gran for Milkshake! and Nickelodeon UK. Natalie spent over seven years at Jellyfish Pictures (2018-2025), initially to oversee its newly established Original Kids’ Content Division before earning promotion to Managing Director – Animation & Originals, and latterly as Managing Director of Originals. Prior to that, she spent almost six years at Platinum Films as Head of Global Strategy. Her animation credits include DogMan (DreamWorks), Wolf King (Netflix Series), The Twits (Netflix Features), Matt Hatter Chronicles (ITV) and Everything’s Rosie (CBeebies).

Framestore is honoured this year to celebrating an Academy Award for the design, architecture and engineering of their proprietary layered shading system, devised and developed by Head of Lighting and Rendering Technology Josh Bainbridge and Head of Software Nathan Walster​​. This incredible accolade recognises the system’s significant contribution to filmmaking.  Josh and Nathan who are BU and NCCA alumni, will talk about the Framestore rendering tech that led to Academy award and the future of rendering for Animation and VFX.

Andy Lomas will be provide an account of working with biologically inspired rules to create experimental visuals for Max Cooper’s concert at the Royal Albert Hall.  Andy Lomas is a computational artist, mathematician and Emmy award winning supervisor of computer generated effects. His art work explores how complex sculptural forms can be created emergently by simulating growth processes. Inspired by the work of Alan Turing, D’Arcy Thompson and Ernst Haeckel, it exists at the boundary between art and science. He is currently based in London, developing his art practice as well as working as a Visiting Research Fellow at Goldsmiths, University of London.

© 2026 Andy Lomas

Ed is an experienced FX Supervisor and project leader with over 10 years of managing complex projects across North America, Europe and Asia.  He is the recepient of Annie and VES awards for his work on Prehistoric Planet: Ice Age.

From vast mountain landscapes and sweeping grasslands to detailed snow interaction and frozen tundras, Edward takes you behind the scenes of crafting over five hours of cutting-edge FX. He’ll break down the challenges, technical strategies, and creative problem-solving needed to achieve both visual excellence and scientific accuracy in this award winning AppleTV series.

VFX supervisor, Max Dennison, will discuss how Cinesite helped to create Oscar and BAFTA nominated visual effects for Paul Greengrass’ 2025 film about the US’s deadliest forest fire. From the epic, roiling smoke columns and gusting winds fanning immense CG forests, to the environmental challenges of augmenting New Mexico locations to match the town of Paradise in northern CA, these were all designed to add to the film’s impending sense of drama and tension. Achieved using a skilful combination of research and development, complex FX simulations, curated lighting, challenging tracking and sophisticated compositing, in this session, Max will offer a behind-the-scenes look at the creative and technical challenges of crafting such large-scale environmental visual effects.

© 2025 Cinesite

Join ACCESS:VFX and Simon Devereux chairing a panel of industry experts as they share their experiences and advice on how to succeed in the VFX industry.

Simon, with over 18 years of experience in the creative industry and a background as a freelance illustrator, Simon has held key roles in talent development and learning across visual effects, games, television, and commercial radio. As the current head of the Framestore Talent Development Team, he is also the Founder and Director of ACCESS: VFX, a global industry movement uniting over 75 leading studios, industry bodies, and educational institutions in visual effects and animation. ACCESS: VFX champions inclusion, diversity, awareness, and opportunity through its four pillars: Inspiration, Education, Mentoring, and Recruitment.

Will has over 15 years’ experience in VFX and recently joined One of Us as Environments Supervisor on Hamnet. Will began his career at DNEG in London where he spent close to 12 years moving up the ranks from Environment TD and Matte Painter, to CG Environment Generalist Supervisor. Credits over his tenure at DNEG include multi award-winning titles such as Interstellar, Dune: Part One, Tenet and Chernobyl as well as fan favourites like Mission: Impossible – Fallout, Justice League and The Matrix Resurrections. In 2022, Will joined Misc as Environment Supervisor on The Critic and The Creator, followed by a stint at Milk Visual Effects. Prior to joining One of Us, Will spent time at NVIZ, beloFX and Light Visual Effects as a Visual Effects Supervisor on Netflix’s Eric.

© 2025 One Of Us

Join Outpost VFX Supervisor John McLaren for an in-depth look at the visual effects of Bridgerton Season 4. From constructing detailed full-CG Regency environments to crafting seamless invisible effects, John will break down the techniques that bring the series’ stylised world to life.

John is a highly skilled VFX Supervisor with over 20 years of experience across film and episodic productions. He is well known for his work on Academy Award nominee The Lost Bus, Bridgerton, Tenet and The Wheel of Time.